Category Archives: Photography

Catalyst

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Thanks so much for your comments on the post earlier this week.

I’m especially grateful for Kate’s comment:

“It’s funny that you speak of closing the Etsy shop…just as I am about to open one. Even funnier that I almost intuitively already know that I won’t have many sales (even before I read your post) – but yet it’s something that I just have to do. i’ve been thinking about doing it for so long now, so it’s almost like checking off the box for me. I almost feel like it won’t be the Etsy shop that actually brings to me to new heights, but rather the ACT of opening the Etsy shop that will open doors for me…get my creative juices flowing…& get myself out there a little more. It’s just something I have to do. So who knows. maybe the ACT of opening an Etsy shop was the same for you..the catalyst to where you are today.”

It is so true and I’m so glad that she mentioned it.  I 100% believe that there is no way I would be doing what I am doing right now if I hadn’t of gotten brave and opened an etsy shop.  In a way it really has nothing to do with sales…it was the act of creating an etsy shop, putting myself and my work out there that allowed me to take other steps like making a new website and actually sharing my photos with people, to making e-courses and putting myself out there even more.

We need to start with one step and creating an etsy shop is a big one.

I really hope I didn’t discourage any photographers from making one.  It is a great way to get your work out there.

Here are a few of my favourite etsy shops of photographers, and who are great examples of what unique things you can offer.

Retinal Perspectives ~  I so love Elizabeth’s whimsical, beautiful way of seeing the world.  Her etsy shop is full of great goodies including a Happy Surprises Card Club.  She is such a great example of a photographer on etsy who really thinks outside the box in the way she creates products.

Arfism ~ A new local pal of mine Zoée does the most incredible self-portraits and has them for sale in her etsy shop.  I’ve been a fan of her work long before I met her and am so glad she now has a place where we can purchase her work.

In the Violet Hour ~ Another photographer who’s work I love in print is that of Kristen of In the Violet Hour. Her polaroids take my breath away.

Little Put Books ~ This shop is such a great example of going beyond the print for how they share their photography.  Jewelry made from photographs, prints on wood, and other goodness.

As well, one of my favourite photographers, the fabulous Andrea Jenkins, aka Hula70 is having a 2 for 1 sale in her etsy shop.  I already have 2 of her pieces on my wall and totally want more!

Do you have an etsy shop?  Leave a link with yours if you do as I’d love to come visit it!

The Notion of ‘Cheating’ in Photography

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Recently I’ve started to notice the frequency that the term ‘cheating’ comes up in reference to photography.  I’m kind of in awe of how many people express this feeling.

Sometimes it is in reference to using photoshop or picnik to post-process photos or sometimes it is referring to using an automatic setting on their camera.

Most often people are sharing that they are getting over these feelings of ‘cheating’ but I’ve become acutely aware of the commonality of this feeling lately.

I wasn’t one of those people who picked up a camera when they were 5, fell in love with it and never looked back.  Nor did I have an interest in it what so ever before 6 years ago.  I came into photography in the digital age, first discovering my love for it by taking a photo of my rubber boots jumping in a puddle with a very simple old-school cell-phone camera.  I didn’t take courses until the last few years ago so in a way I never really had any pressure put on me by a teacher or photographer saying what the right or wrong way to approach photography was. In a way I am glad it all happened the way it did, at a time when photography is so much more accessible than it has ever been before.

As those of you in my classes discover, I’m really not an elitest in photography.  I really believe that it is never too late to discover your love for photography and that now is a really great moment to do so, with whatever camera you have.

On the other hand, I think there is value in more traditional methods of photography as well as having goals for aspects of photography you would like to achieve a level of skill in.  I have a big love for shooting polaroid and TTV (through the viewfinder).  To me, there is really nothing like looking through an SX-70, pressing the shutter and seeing some good old school polaroid film develop in front of your eyes.  Same with TTV as there is a real magic to looking through a vintage camera with your digital and taking a photo (though you could say that TTV is kind of ‘cheating’ as it is a digital manipulation of a vintage camera….see….this idea is murky waters).

With both of these things you can now make a digital version of a Polaroid or TTV image in a mere minute.  I most definitely feel like I am cheating when I do these effects on my iphone.  Does that mean I shouldn’t do it?

I think that this feeling of ‘cheating’ is totally normal when photography is expanding and growing so fast. Where we have the opportunity to be playful in photography in a way that is quite different from the past.

I see both sides of it, both where it could be restricting and we might want to push past feelings of ‘cheating’ as well as times where we might want to pay attention to it.  The only problem with these feelings of ‘cheating’ are if they stop you from creating.  If the need for perfection restrains you from even trying.

For me, that feeling reminds me of how much I love my polaroid and reminds me to pick up my TTV to have that experience.

So I say, let’s embrace new ideas of what photography can be.  Let’s embrace whatever way we each want to take photographs and celebrate that we each have the right.

Let’s also remember what we love about the techniques or types of photography that feel like they are something we want to strive for, just don’t let perfectionism stop you!

Really, I just wanted to share the thought that there is no one way to be a photographer these days.  There is no right way to do it that is better than all the rest.

Is there an aspect of photography in which you feel like you are ‘cheating’?

Are there ways it feels useful to remind you of techniques or skills you want to develop?

Are there ways you could let go of that feeling like there is a certain way that one should ‘be’ a photographer?

With the frequency I hear this term being mentioned by my participants and friends these days I thought it was most definitely something to bring up for discussion…what do you think?

Success is not a Number

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When I first started YAYOM I didn’t know how many people I wanted in the course.  I would have been happy with however many signed up (as long as at least a few people did).  Could I get a dozen people to take my class?  I had been in courses with over a hundred people, another with hundreds.  Would mine catch on like wildfire and be like that?  Or would it be a beautiful small group?

As people signed up that first session I kept on changing my goal number. 10 people…sure that would be great.  Oh, more than 10?  20 sounds lovely?  I have 20?  How about 40?  That first session the registration mellowed out around the high fourties so I aimed to call it sold out at 50.

Did I have a reason for how many people I wanted at that point?  Not really.  I just hoped people would resonate with the course and that I would get enough to make it feel like a success to me.

What does success mean?  Is it really a number of how many people you have or how much money you made? Or is success the way that people are changed by what you have to offer or the way they have transformative experiences through your inspiration?

As soon as the course began it really wasn’t about the numbers.  It was all about the experience,  yet I didn’t want to share that info publically.  To some, success might be 100 or 200, to others success in registration might be 10.  Would one of those be more valuable than the other? Would one course be more life changing than the other simply because of its class size?  Likely not.

I didn’t want to share my class size numbers as I really believe that it isn’t the number of people you have in the class but the way that the course inspires them that should be a success.  I didn’t want those folks who have less people in their class to feel like 50 people should be a bar of success.

In fact, I found 50 people to be a lot to keep up with.  With any course, a certain percentage of people participate.  In my more in depth courses I give feedback to every image that the participants share.  I really want to make each person feel seen and to give them feedback.  This has been one of my core ethics with teaching (another post on that topic soon) from the start and the other participants join in commenting and before we know it the supportive energy is pretty much magical.

My next session of YAYOM had a similar registration number and I didn’t yet share that info.  As I’ve run it more, my registration numbers have become a bit smaller, averaging around the 30 person range.  The first session where my numbers were lower I felt so vulnerable.  What was I doing wrong?  Was I oversaturating my own market?  Were there just a lot of e-courses out there?

There was one week where I was in a panic.  Freaking out majorly and in tears, sure that I should quit this business.  I had just finished last winters session where we had a class at capacity and people were sending me emails telling me how much it changed their lives.  I was fueled by this to open up a spring session.  Then no one signed up.  Day after day when no one signed up I felt like a failure, despite the emails telling me otherwise.

Registration is a wildly vulnerable experience.  Each and every time.  Teachers don’t tell you this, as at the time they are trying to market and promote their classes.  It doesn’t necessarily feel like the time when you want to tweet “Doesn’t anyone want what I have to offer?” or “Should I even be doing this?” even though that is exactly what we may be feeling.  Of course we absolutey need to be offering these courses or projects, but it is an undeniably vulnerable thing for me and I think likely for all of us.

Registration for e-courses or marketing a business of any sort is really hard work.  For most of us, participants don’t just fall into our laps.  Marketing, guest posting, writing articles, blog posts, twittering, promoting on facebook and yes even asking friends for help in promoting it is all a part of getting people to participate.

You are a success whether you have 5 participants or 50. 

It was then when I really started to think about the class size and the energy that different class sizes bring.  This session of YAYOM we have just over 30 people and I realize that I love this size of group.  I’m able to keep up with the images in the flickr group and to check in with the participants who may not be active to see what I can help them with.

More importantly than my ability to keep up is how the participants are able to connect.  Each session I get quite a few participants writing me letting me know how much they are liking the size of the class after having felt lost in really large sized classes.

Bigger is not necessarily better.

I find with art retreats as well I am drawn to the ones where there are a smaller number of participants so I can have a really connected experience rather than feeling lost in the crowd.  A small retreat is not better than a really big one or vice versa, the smaller size is just better for me as a participant.

What I’ve learned is that we need to look at what we are wanting for the participants.  What do you want the experience for them to be?  Are you wanting to create a community atmosphere or is your class more about the content?  Do you want to have as many people as possible be able to take the course at one time or do you limit the class size either for your or the participants sake.

Even if tomorrow somehow all of a sudden tones of people heard about the course, I would still only want 50 people maximum in each session because I have discovered that the smaller class size has a magic to it that is really beautiful (I want to note that I think 50 is actually a pretty big class size but is small compared to those courses with hundreds of participants and really there are only a few classes that get those kinds of numbers, most of us have much smaller class sizes).  In fact I think may have become something that draws people to my classes to have that intimate community experience.

So why am I now sharing my class sizes?  I now feel confident that the size of my class is not a reflection of my success or failure and I now know the benefit of what a small class can bring.

If you are presently running online courses, I encourage you to not judge your success by your class size (though that doesn’t mean that it won’t still feel vulnerable) and to ponder what size of group feels right for you and for what you want the participants to get out of the course.

You could also ponder this in reference to blogging.  Does whether or not someone comments on your blog post equate its value?  Could your words in fact be transformative to your readers even if they don’t comment? Sure it may be vulnerable to feel like no one is reading or being inspired by what you have to share but that doesn’t mean that people aren’t affected by your work.

What is most important is that if you are drawn to create a course, or share your work is that you go for it. There is someone else out there who needs to hear what you have to share.

Bren & Adam’s Wedding

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The first wedding in the summer of love was that of Bren and Adam.  We gathered amongst the mountains in the interior of British Columbia.

They were married on a mountaintop overlooking such a beautiful landscape.  Bren is a poet and Adam a musician and their wedding was a truly beautiful reflection of their unique selves.

I so treasure the part of the wedding day when I get to take the couple away for a little bit to take photos. What it ends up being is a moment in their day when they are able to be alone and celebrate the fact that they just got married!

After the ceremony we gathered back at the lodge and had a gorgeous evening of music, bocce, beautiful speeches, delious food and incredible company.

Thank you Bren and Adam for having me as your photographer and I’m also mighty grateful to call you two my friends.

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These Rainy Days

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It is beginning.

Sidewalks coloured red, yellow and orange by a layer of leaves.

A sea of black umbrellas are like a forest canopy on busy city sidealks.

Each leaf of a tree has its own little gathering of water droplets with their own miniature reflections of the world around us.

Fall is here.

I’ve been going for daily photowalks.  Often just a block or two, taken when I need a break from the computer or when the rain pauses.  I love those times when photo walks become a regular practise.  It is such a simple act to go walk a few blocks with a camera and making it a daily action makes me mighty happy.

I’ve been testing out some of the activities I have planned for Light Hunters: Getting through the Grey and taking new photos for this November’s session of the 30 Day Light Hunters class.

I am so excited about offering these two courses in this season, when the sun doesn’t always shine where I live.  When I first offered Light Hunters in July, I was surprised how often people would say ‘I can’t wait for the sun to come out so I can go Light Hunting’.  That totally rocked, but it also made me want to make sure I inspired the participants to go Light Hunting even when it wasn’t nice outside and to help them to see the the benefits of the more subtle types of light.

Light Hunters: Getting through the Grey has been on my mind as something to share for a long time.  For the last few winters I’ve been making lists each year, that I’ve called ‘Getting through the Grey’ which is a list of ideas to get me inspired to keep taking photos even when it isn’t prime photography weather.  This course comes from those lists and I’m excited to share them each week with the participants.  Whereas the original Light Hunters runs for the month of November, Getting through the Grey involves weekly posts each monday from December to January.

You can find out more about the two Light Hunters classes by following this link.

This week I’ve been all about my macro lens.  I think I’ve used it more this week than I have all year.  It is those little water droplets on petals or leaves that have me swooning.  I also love the way that using a macro lens adds such precision to some parts of the image and blur to others.  Here’s a glimpse from yesterdays stroll:

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